The Jump-Up Bass
A Reese is two saws a few cents apart, so every harmonic is two lines with nothing at all between them: 84 dB of nothing at the sixth. Distortion doesn't add harmonics to it, the count is pinned at its ceiling before the first clipper even runs. What it does is put lines where there were none, and by the third nonlinearity the gap is within 17 dB of the lines either side of it. This one is also the first day where the sound isn't code: it's a patch, thirteen nodes of data, and the five steps you walk through are worked out from the signal path rather than written by hand.
