The Shape You Cannot Hear
Draw a spectrum, then rearrange its phases. The waveform becomes unrecognisable, the sound does not change, and the peak moves by six decibels.
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Draw a spectrum, then rearrange its phases. The waveform becomes unrecognisable, the sound does not change, and the peak moves by six decibels.

Tap a membrane anywhere and watch which of its modes you reached. Hit the centre and you can only reach three of sixteen.

Slide one note against another and hunt for the places the wobble disappears. They turn out to be the intervals music already uses.

Drag one number and the note you are listening to disappears while the sound gets louder. Bessel functions say exactly where.

Fifty days in, the last one is about how soon two things land in the same place. It is much sooner than it feels.

Two tones half an octave apart. Whether they went up or down is not in the signal, and you will still be sure.

Every bulb on the Mandelbrot set repeats with a period equal to the denominator of where it is attached, and between any two bulbs sits their Farey mediant.

Two spectra with nothing in common that are the same colour, until you change the light.

A vowel is two bumps in a spectrum. A voice can only send them at multiples of its own pitch, and a high voice cannot send enough.

Delaunay maximises the smallest angle in a mesh. I checked it exhaustively, and then noticed the maximum is dreadful.

Pick six items uniformly from a stream of unknown length while holding only six. The items you threw away had exactly the same chance as the one in your hand.

A click track that speeds up without limit, built out of a nine-second loop that repeats exactly.